His mother, Peggy, worked at Bletchley Park, and he likes to say she cracked the Enigma code “but she wasn’t a codebreaker, though she wasn’t bad at crosswords”. ![]() It sounds very energetic, and I wouldn’t have been that energetic.”ĭuring the second world war, Nicholas’s father apparently worked for MI6 “because he could speak Flemish, so he was quite useful”. “I think I was overdramatising the tongue. ![]() “Did I say that? Please forgive me,” he says with a laugh, but also looking aghast. Recounting a sex scene in one film, he writes that he gives his co-star – who happens to be the wife of the director – a “tongue sandwich”. His wife, Linzi, to whom he has been married for more than 50 years, is always telling him off, he says. On at least two occasions, Nicholas describes female co-stars, of similar vintage to him (he is 78), as “still an attractive lady”, as if it’s surprising at their advanced age. His book is so un-PC that it’s almost quaint. Overall, it’s good that people are more careful about how they speak about others, but there is a willingness among some people to be offended.”Ĭult hit … Nicholas (right) in 1975’s Tommy. “Having grown up in the 60s, and having that freedom to say what you want, now we’ve regressed a little bit. I have to be careful, but I still find myself making mistakes, I’m afraid.” Later, he asks me if I “detect an old dinosaur”. With a father like that, says Nicholas, “you could either go the other way and become a priest or you could find yourself expressing yourself with a similar kind of humour at times, which of course is deeply inappropriate. “I reckon my cock has cost me £100,000 per inch.” On being asked to invest in an Andrew Lloyd Webber musical: “Now, I had saved a bit, but not enough that I wanted to blow it on a show about cats.” His inclusion of a Private Eye report on his father, the flamboyant showbiz lawyer Oscar Beuselinck, made me laugh out loud: “Never marry,” warned Oscar, who had divorced three times. ![]() But sometimes it’s just his turn of phrase, almost Partridgean at times. It made me laugh, often intentionally – going to dinner in Paris with Serge Gainsbourg and Jane Birkin in the 60s, 24-year-old Nicholas is taken to a restaurant where they serve only flowers and he asks for chips with them. Over a video call from a low-cost hotel room, he seems fun and lacking in self-importance, as does his book. ![]() Even “Shake It 4 Daddy,” an absurd scene as Lloyd still sounds all of 14, is wickedly catchy, with the vocalist transforming into a lecherous Michael Jackson during the chorus.Pussy galore … Finola Hughes, Paul Nicholas and Sarah Brightman in Cats in 1981. A couple ballads are grossly overblown, but every other track is partially or wholly loveable, from the vulgar ebullience of “Dedication to My Ex (Miss That),” to the sneaky charm of “Jigsaw,” to the low and snarling likes of “Bang!!!!” and “Luv Me Girl.” At this point, Lloyd has pretty much perfected the art of transcending the modern-R&B Lothario cliché. It’s his most unified set of songs Polow da Don, who collaborated with Lloyd on Lessons in Love's “Party All Over Your Body,” produces most of the material, sometimes with associates. Most of the successive leaks and singles continued the trend, and King of Hearts, in turn, is clearly the singer’s best album yet. The single’s luminous mix of cunningly delivered pimp talk and old-school elegance indicated that Lloyd was about to somersault out of his creative holding pattern and ascend higher than ever. The sleazy-sweet “Lay It Down” hit airwaves during the end of summer 2010, almost ten months prior to the release of Lloyd’s fourth album, King of Hearts.
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